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Posted 8/3/2007 in All Weblog Posts | Handplanes

Shooting boards are one of those hand-tool jigs that people talk about (a lot) but few people actually know much about. Whenever I teach, students always clamor for a demonstration of the device, even when I'm teaching something that doesn't directly relate (sawing tenons, sharpening, steaming salmon).

Recently, Bill Kohr at Craftsman Studios in San Diego loaned me a ramped shooting board that he sells in his catalog and store to try. So here's a short review of the shooting board and a brief tutorial on using it to trim end grain.

First things first: Why do you need one? Shooting boards are one of the most powerful trimming tools in my shop. They are the only tool, machine or jig that I have that reduces the length of a board in .001" increments. They adjust the ends of boards so they are square, even if you have only 1/32" or less to remove. Trimming cuts like this can be tricky on power equipment because the spinning saw blade can deflect in the cut, giving you an inconsistent cut through the thickness.

The shooting board (some call it a "chute board") holds your work in position and 90° to a track that a handplane rides in. Push the plane in the track and it will trim the end of the board until it is square. (Note: There also are shooting boards designed for long grain, but I generally plane these freehand or use the tail vise and dogs to do the job – but that's an entry for another day.)

The shooting board shown here is made by Micheal Connor in Australia from New Guinea Rosewood, a dense and stable material. This shooting board is unusual in that the area that holds the work is ramped about 4° along its length. This ramping does two things: It spreads out the wear on your plane's iron a little. For example, a 3/4" x 6"-wide piece of stock will wear an area of your iron that's 1-3/32" instead of a 3/4"-wide area of your iron. Plus, the ramp makes the plane a bit easier to push through the end grain because the ramp creates a shearing cut.

Having the ramp is nice, but I wouldn't call it a do-or-die feature. My shop-made shooting board is flat and made from plywood. It's fine. I just have to push a little harder and sharpen more often.

The downside to the ramp is that you have to do some extra rigging to support long workpieces that stick out off the shooting board. I have an adjustable planing stop on one of our benches that can be angled to support the work at 4°. Another option is to make a block of wood that has a 4° ramp – easy work on a band saw.

The Connor shooting board is well made and dead-nuts accurate. The fence, which is the most critical component of the jig, is secured in a dado in the ramp, so it's not ever going to move. My only real quibble with the jig is that the finish on the fence and ramp allow your work to slide around more than I like. I'd put a layer of stick-on sandpaper on the fence, which is what I have on my shopmade shooting board.

Shooting Board Use
There are many ways to go about using a shooting board. David Charlesworth has an excellent DVD on the topic that explores his simple shooting board and the techniques to use it. I've used his shooting board and his techniques with excellent results. But perhaps because of my American-ness, I do it differently. Charlesworth takes a pass with the plane, then pushes the work up against the sole of the tool and makes another pass. He repeats this until he makes a full-width cut and is at his destination length. I usually use his technique when reducing boards in length, but do it a bit differently when correcting the angle on the end of a board.

So I start with my out with a board I've trimmed on our out-of-whack (surprise!) miter saw. It's out by a couple degrees. I put plane in the track (I always use a heavy plane with an iron that is sharpened straight across). Then I put the jointed edge of the board against the shooting board's fence and show the wonky end to the plane's sole. That shows me which corner is high and which corner is low.

Now relieve the corner of the work that will go against the fence. Cut a tiny bevel with a chisel to reduce blow-out on the end. If I am working to a knife line I'll chisel the corner to that line.


I take the plane off the track and position the board so the low corner is flush to the track and the high corner stick out over the track. Then I push the work against the fence (push hard!) and then place the plane in the track and begin planing. Focus on pushing the plane down and forward. Use just enough force against your workpiece to keep the tool in the cut. If you push too much to the side you'll push the work out of position instead of cutting it.

When the plane stops cutting, the edge is square. Check your work to confirm.

The Connor shooting board is available in both left- and right-hand versions and is $95. For woodworkers who don't want to build one or question their ability to do so, I think it's an excellent way to get a jump-start on shooting.

— Christopher Schwarz


8/3/2007 11:40:40 AM (Eastern Daylight Time, UTC-04:00)
Great post! I was reading about shooting boards in Landis' workbench book, but didn't get a good idea what in the world I was supposed to be "shooting"!

I'll most likely just make my own. I'm so cheap/poor, I can't ever justify spending $100 on a couple of boards and some screws.

Thanks for the insight!
8/3/2007 12:07:06 PM (Eastern Daylight Time, UTC-04:00)
What do you mean by a "shearing cut"? There seems to be some confusion over the effect of a ramped board. Some people seem to think that it lends a plane a skewed mouth thereby making for an easier cut in the end grain, but in fact the iron is still moving in the same direction as the plane body albeit at an angle to the grain. Surely this is not the same as a skewed cut which effectively lowers the pitch of the iron?
8/3/2007 1:05:00 PM (Eastern Daylight Time, UTC-04:00)
Jungle Pop's thought occurred to me as well. The ramped board would seem to spread the cut over a broader area of the plane iron, but the iron isn't passed over the end grain in a sideways slicing manner. Would a plane with a skewed blade, eg a Stanley 140 skewed block plane or its modern equivalents, yield that shearing cut?
8/3/2007 1:27:37 PM (Eastern Daylight Time, UTC-04:00)

The mouth is skewed 4° to the work because of the ramp. It planes one corner before it hits the other. Maybe we have different definitions of a skew cut, but that's what I call a (really slight) skew cut.

Now: Does it make a difference? Not much. Perhaps it's even undetectable to some people.

A Stanley 140 could exaggerate this skew even more.

Chris
8/3/2007 1:45:51 PM (Eastern Daylight Time, UTC-04:00)
Chris, nicely said. What in your opionion is the best shooting board for cutting long miters? Donkey ear or ? Maybe another blog entry some day. :-) AFFW John
8/3/2007 1:51:16 PM (Eastern Daylight Time, UTC-04:00)

John,

I use a miter shooting board just like this one:

http://www.popularwoodworking.com/articleabstract?aid=14386


Chris
8/4/2007 6:40:14 AM (Eastern Daylight Time, UTC-04:00)
Chris,
Michael makes 2 sizes of shooting boards
1.8m & 2.4m, I'm not sure if this helps with those pieces that stick out from the smaller board (if that was the one that you were using) but it might be worth checking out at his very interesting website.
http://www.michealconnorwoodwork.com.au/index.html

He says about the longer board "These are great for jointing boards for coffee tables up to dining tables. The ability to shoot the long edges quickly and accurately means anyone can now have perfect joints.
It is also possible to shoot end grain of jointed tops by placing these in the clamps and propping up the other end. Some sacrificial blocks should be clamped at the edge to prevent tear out. Just a thought.
Michael

8/6/2007 8:44:16 AM (Eastern Daylight Time, UTC-04:00)
Chris,

How far out do you project your plane blade? How do you keep from planing the edge of your shooting board? Or is the lip running parallel to the edge just high enough that it guides the plane but doesn't touch the blade?

Ethan
8/7/2007 3:29:26 PM (Eastern Daylight Time, UTC-04:00)
Re skewing, I'm with MR and Leon on this one. I think the subtlety of the ramp angle might be disguising what is going on. Imagine a 45-degree ramp, and that you are trimming a 1" square piece of wood. The cut you are making will be the same as if you put the board in your face vise and planed in a straight line from corner to corner. Both the orientation of the plane and the motion of the plane are at 45 degrees to edges of the workpiece, but the cut is at 90 degrees to the cutting edge. Maybe it's semantics, but I don't call that a skewing (or slewing) cut.

Now, instead, hold the plane at 45 degrees from the edge of the workpiece, and cut through the endgrain with the plane moving in line with the edge of the workpiece. To me, this is a skewing cut, where the cutting edge travels across the workpiece at an angle _to the blade_, reducing the effective angle of attack of the blade. I don't think this can be accomplished with a stationary ramp.

To accomplish a skewing cut with a shooting board, I think you would need to build a slanted "carrier" for the plane, that held it at an angle, while moving horizontally, just as you do in freehand planing when you hold a plane to an angle from the direction of planing.
8/9/2007 12:48:47 PM (Eastern Daylight Time, UTC-04:00)
Well, now that you started talking about shooting boards,

I think we deserve (for the seek of completeness and knowledge) an article on how to build a shooting board (with the optional 4° ramp) in the WW Magazine. You should include detailed drawings and dimensions. Or you can make it in the blog, but one way or the other we should be getting that any time soon. (Ha!)

Regards,
8/9/2007 11:26:02 PM (Eastern Daylight Time, UTC-04:00)
I believe that popular woodworking has done an article on making and using a shooting board, haven't they? If not, I guess I am surprised, and greatly looked forward to reading, and making/using a shooting board!
8/12/2007 9:55:46 AM (Eastern Daylight Time, UTC-04:00)
Dear Chris,

Interesting technique.

I cannot rely on the fences of our comunal shooting boards. Someone has almost always tipped a plane or used a heavy blade projection.

Perhaps this is why I prefer to slide the work for each shaving. I would also suggest it protects against positioning the work wrongly, and is potentially safer.

best wishes,
David Charlesworth
3/4/2008 4:09:29 PM (Eastern Standard Time, UTC-05:00)
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